What is Stealth Wealth? The truth behind the aesthetic

“Everyone wants to be rich!”

Fashion trends go in cycles. Minimalism and maximalism in fashion are polar opposite styles that are constantly battling for the top spot, cycling in and out for decades. Right now, judging by microtrends such as ‘clean girl aesthetic’ and ‘coastal grandmother aesthetic’, it seems that minimalism is firmly in vogue.

Enter ‘Stealth Wealth’, the new buzzword dominating the front page of every fashion publication’s website. You may have seen TikToks on your ‘for you’ page or articles on your Twitter feed teaching you how to dress in the understated, quiet luxury aesthetic of Gwyneth Paltrow at her recent court appearances, or character Shiv `Roy from hit HBO show Succession. But what is stealth wealth and why are we so preoccupied with what the ultra wealthy wear and how they live their lives?

Trend forecaster, Meaghan Smith, explained to me that stealth wealth is “garments that exude wealth and luxury without any flashy, garish elements that people may traditionally associate with the wealthy.” It’s wearing a jumper that, to the untrained eye, doesn’t look special when in reality it’s cashmere and costs £2,000. It’s the elite quietly saying “if you know, you know” through their clothing.

Stealth wealth style can include neutral colours, business casual pieces such as blazers, loafers, and shirts, and outerwear in quality fabrics such as wool and cashmere. Some popular brands that cater to this minimalist style are The Row, Max Mara, Tom Ford and Ralph Lauren. Most people wouldn’t choose these brands to make their first luxury purchase, perhaps opting for more well-known brands like Louis Vuitton and Chanel, but the affluent do not need to flaunt a monogrammed Neverfull when they can afford a plain white shirt for the same price.

Meaghan believes “these trends may be in response to today’s version of celebrity and essentially they’re ‘advertising’ using the garments they wear. I have noticed that public opinion has shifted towards distaste when celebs flaunt their wealth or misstep with tone-deaf social media posts.” Perhaps the popularity of stealth wealth is a rejection of flex and influencer culture, embracing a more ‘classic’ style as opposed to the extravagance of celebrities such as the Kardashians, who have often come under fire for problematic behaviour.

As previously mentioned, trends come in cycles. This is not the first time maximalist displays of wealth have been seen as excessive and distasteful.

https://twitter.com/KimKardashian/status/1640136383871451137

Perhaps the origins of this trend is the ‘old money’ vs ‘new money’ debate, dating back to the mid-1800s. The American nouveau riche infiltrated English prep schools, ruffling the feathers of the upper classes as they did not approve of their lavish and opulent styles. These prep schools are also the origin of ‘preppy’ style, which has much overlap with stealth wealth.

Preppy style can include varsity jackets and sweatshirts, polo shirts and tennis skirts. Think country clubs, sailing, Oxford and Cambridge and Ivy League colleges, horse riding and skiing. This style has also been making the rounds on TikTok, called ‘old money aesthetic’. Again, this trend strays away from the typical ‘influencer’ look and appreciates preppy and old, heritage fashion houses such as Chanel, Miu Miu, Dior and Ralph Lauren.

Preppy style could mark the beginning of the quiet luxury trend, as Meaghan told me “the ‘old money aesthetic’ plays with this idea too, using more minimal, classy, and sophisticated design choices with a lack of logos.”

As seen in comments under this TikTok, such as “old money people are the real rich,” the ‘new money’ aesthetic is not treated as a desirable lifestyle. As Meaghan pointed out, many see today’s celebrities as distasteful for flaunting wealth on social media and label them as problematic. However, this does not take into account that ‘old money’ families can be problematic too.

Old money families’ wealth is often gained from racism. For example, the billionaire Koch family were caught stealing oil from Native American reservations in the late 1980s, which hasn’t stopped Koch Industries from being the second largest privately owned company in the US. Not to mention the Royal Family, who cost the taxpayer £86 million last year and regularly wear stolen jewels from India.

It is undeniable that none of these billionaire dynasties are people of colour, and many of the ‘old money aesthetic’ TikToks only show images of white people. Glamourising the lives of the 1% can diminish these issues, as focussing on aesthetics leaves out important context of how these people gained their wealth.

“Logomania was a huge trend in the 2000s, a time of excess and celebrity”

One example of the style of the elite becoming a trend was the rise of Burberry in the early 2000s. Burberry’s signature check print became synonymous with ‘chav’ in 2002 due to its popularity with streetwear style among the working class in the UK. Burberry began to lean into this popularity by releasing more affordable garments with the check print.

However, Burberry’s upper class clientele began turning away from the brand due to its new connotations. This tanked Burberry’s reputation as the wealthy did not want to be associated with the working class. To combat this, in 2006 Burberry removed the check print from much of their clothing and upped prices so working class people could no longer afford the brand. The upper class, despite their aspirational fashion, are often prejudiced against the working class. The reason they wear such luxurious garments isn’t just because they can afford it, but it sets them apart from those who can’t.

Luxury fashion has always been aspirational, and as trend forecaster Meaghan explains, “logomania was a huge trend in the 2000s, a time of excess and celebrity. The new interest in celebrity culture (thanks to rising stars like Paris Hilton and Kim Kardashian) meant that paparazzi were constantly documenting every move and garment.”

The logomania trend began in the 1980s and 90s with the rise of hip-hop culture. Well-known rappers and music artists such as Run DMC and Salt N Pepa wore knock-off clothing covered in logos, such as Louis Vuitton and Gucci monograms. Meaghan told me, “wealth could be easily flaunted by celebs using their garments, and then emulated by the public by wearing the same logos and brands. The boom in celebrity culture shifted public opinion to value status during this period.”

However, the 2008 financial crash shifted public opinion to believe wearing flashy logos was tacky, leading fashion to become more discreet and minimalist. This trend cycled back again in the late 2010s, with celebrities such as Billie Eilish wearing t-shirts and tracksuits covered in Louis Vuitton, Gucci and Fendi logos. Recent world events such as the COVID-19 pandemic once again has shifted public taste, going to show that trends are always in a constant cycle.

Meaghan explains, “the pandemic drove people inside and towards comfort clothing, so now that things are ‘back to normal’ on a wider scale, trends are shifting towards a more ‘put together’, smart-casual dressing style thanks to the newfound desire to be seen after so long in isolation.”

“People may be looking to emulate a more ‘rich’ aesthetic for the purpose of escapism”

This brings us to today, where the prevalence of the stealth wealth trend can be attributed to the popularity of the show Succession. First airing in 2018, Succession shows the lives of a mega rich family who own a media conglomerate. Instagram account, @successionfashion, documents many of the garments and brands worn on the show, where brands such as Ralph Lauren, Tom Ford and Max Mara regularly make an appearance.

Sue, a big fan of Succession, told me, “I love the fashion on Succession, I really like what Shiv wears especially. I’d definitely dress like that if I had a fancy event to go to, but I don’t think I’d wear it everyday as it’s all very expensive and quite formal.” It seems that in everyday life, stealth wealth might still look like you’re trying too hard. As the trend is born from social media, the majority of people joining in are posting their looks on TikTok and Instagram and maybe not wearing it in real life.

Post by @successionfashion on Instagram

More flashy designer clothes do make an appearance on the show, however they signify the character being in crisis – for example, in S3E7 when Kendall wears a large, gold chain and a Gucci outfit. If the characters are not wearing quiet luxury style, they are acting out of character.

Another instance of more identifiable designer being worn on the show is in S4E1 when Greg’s date wears a Burberry check print handbag. The bag is called “ludicrously capacious” and “monstrous” by the rich Roy family, as even though the bag costs over £2,500, the print is too recognisable for their tastes. This scene is a nod to Burberry’s reputation in the early 2000s and highlights the class prejudice that is still prevalent within the upper classes.

Even though the lives of the 1% are unreachable for the majority of us, emulating the style of the wealthy is still a huge trend. Meaghan thinks, “everyone wants to be rich! Wealth is aspirational, which means dressing like the super rich is too. Especially now in a time of financial uncertainty for most, people may be looking to emulate a more ‘rich’ aesthetic for the purpose of escapism, to appear affluent to others or set themselves apart.” Becoming rich will always be an aspiration for many of us, so we try to dress the part.

In order to copy the stealth wealth trend, brands like Uniqlo, COS, Mango and even M&S cater to the minimalist style for a fraction of the price. However, the polyester fabric and messy stitching that’s found in high street brands’ garments will never measure up to the luxury finishes of designer brands. In reality, rich people aren’t going to give a nod of approval your H&M outfit, no matter how ‘old money aesthetic’ it is. The 1% are elite, and they like it that way. Excusing class prejudices allows it to continue, especially as the trend glorifies this divide in wealth and status.

Photo by Jeys Tubianosa on Pexels.

The cost of living crisis has made all of us hyper-aware of our own money, and an aspirational trend of dressing like you’re wealthy lets us pretend we have the generational wealth so many of us could do with right now. Stealth wealth connotes that trying too hard is tacky and reflects similar prejudices against less wealthy people that were seen during Burberry’s boom in the early 2000s and in the 2008 financial crash. It’s exhausting to keep up with these trends, especially when it revolves around something as sensitive as money.

Time and time again, TikTok microtrends centre around white people and are less than inclusive. When searching aesthetics like ‘old money’, ‘stealth wealth’, ‘coquette’ and ‘clean girl’ on Pinterest, you’ll notice how few people of colour make an appearance. This is yet again evidence of covert prejudices behind the stealth wealth trend.

Thinking critically about trends can save you from buying a whole new wardrobe just to throw it away in six months. Trends on the Internet pass by so quickly, leading to overconsumption and wastefulness. Perhaps stealth wealth will be all over in a month, and you’ll be able to save your money in this financial crisis.

Crocs are back and cooler than ever

“I love Crocs, I would wear them to the club if I was allowed.”

What’s the first thing that comes to your head when you think of Crocs? Garish, ugly, childish? Or colourful, comfortable, cool? Whether you love them or hate them, it is undeniable that Crocs are having a resurgence.

On 24th November, artist David Hockney wore a pair of bright yellow Crocs to a luncheon with King Charles, who remarked “your yellow galoshes! Beautifully chosen.” Ignoring the use of the word “galoshes” in 2022, this means Crocs officially have the King’s approval. So, can we all agree that Crocs are cool now?

Founded in 2002, Crocs have been around for 20 years. Originally made to be boat shoes, taking inspiration from the shape of clogs, Crocs are practical and durable, prioritising comfort over style. Their comfort comes from the material Croslite, a cross between rubber and plastic.

For many of us, Crocs are a nostalgic reminder of our childhoods, perfect for playing in the garden and decorating with Jibbitz, charms you can stick through the holes in the top of the shoes.

Photo by Kelly Sikkema on Unsplash

“Crocs were once the shoe for normies, but now everybody is in a Croc.”

However, Crocs have not always been widely loved. Hate website ihatecrocs.com, started in 2007 and updated as recently as 2021, calls them “strange, ugly shoes.” It was frowned upon to wear Crocs in public, a secret you’d keep in your house and pretend you didn’t own.

Croc hater, Daniel, says “I exclusively use Crocs as slip-on garden shoes for picking up dog poop because that’s all they’re worth.” When pressed for an explanation of that bold statement, Daniel said “they’re ugly in my opinion and don’t go with any outfit.”

Photo by Daniel Stearn

This scathing Buzzfeed article serves as more evidence of people’s visceral hatred towards Crocs. The reporter condemns Crocs for being “profoundly hideous,” and looking like a “PVC cheese grater.” It is clear that Crocs are a divisive subject, and everyone wants to chime in with their personal opinion. However, the reporter does admit that “Crocs were once the shoe for normies, but now everybody is in a Croc.”

Crocs’ comeback started in 2016, when designer Christopher Kane collaborated with the brand for his Spring/Summer 2017 collection. The Crocs were transformed into marbled, earthy colours, complete with Jibbitz that look like rocks. Since this collection, Crocs have collaborated with countless brands and celebrities. Most notably, Balenciaga created platform Crocs the year after, solidifying the shoe’s place in fashion. Other collaborations include Justin Bieber, Post Malone, SZA and, bizarrely, food brands like KFC and Peeps.

“Part of the charm of Crocs is how casual they are.”

I asked some Croc enthusiasts their opinions on the shoe, and it seems that there are strong opinions on the other side too.

Georgia told me Crocs are “class, comfortable, and easy to wear. I think they are cool enough to wear outside the house.” Crocs are meant to be a little ugly, the fact that they clash with your outfit adds to the appeal. Designer Crocs are a more elevated version of the classic, but Georgia believes ” I think designer ones are kind of weird. Part of the charm of Crocs is how casual they are.” Eve agrees, saying “I love Crocs, I would wear them to the club if I was allowed.”

Photo by Georgia Wilson

Another Croc wearer, Clare, thinks that “if I had some snazzy personalised ones then I’d wear them out and about – sort of for irony, but then again irony is often a big part of trends and fashion.” The ironic fashion trend is about wearing tacky clothes as a joke to seperate yourself from the mainstream. ‘Dopamine dressing’ is another fashion trend Crocs fit into, celebrating wearing bright clothing that make you feel good.

Designer Crocs may just be a gimmick, but the appeal of a comfortable, colourful shoe is real. In a post-lockdown world where more people than ever are working from home and prioritising comfort, Crocs are a shoe worth investing in. For example, Gabriel has “a pair of fur-lined Crocs and they are amazing. I just wear them as slippers.”

Photo by Gabriel Power

Whatever your opinion is, Crocs are here to stay. The brand has skyrocketed in recent years, achieving record sales up 67% in 2021. A recent collaboration with country singer Luke Combs is being resold on eBay for over $200. So, if you’ve been swayed and want to buy yourself a pair, you’d better get in there quick.

Feature photo by Melike Benli on Pexels

The soft power of South Korea and Japan

How can boybands and video games make a country powerful?

If you were an early 2000s child, you may have grown up playing Pokemon, or remember when everyone at school was talking about the Gangnam Style music video on YouTube.

East Asian pop culture, particularly Japanese and South Korean, has steadily grown in popularity in the West since the 90s. In recent years, however, its relevance has surged.

Squid Game is one of the most-watched shows on Netflix, and K-pop boy group, BTS, is the most streamed group of all time on Spotify, with 16.3 billion plays. Sanrio, the company that created Hello Kitty, make more than $1 billion dollars in sales of merchandise every year and over 100 million households globally watched at least 1 anime title on Netflix in 2020.

These are two separate countries with their own cultures and customs, but have both cracked the code of gaining soft power through the appeal of their pop culture and media.

Soft power, coined by political scientist Joseph Nye, is the concept of co-opting others to get the outcomes you want. Nye believes there are three ways a country can gain soft power – its culture, its political values, and its foreign policies. Japan and South Korea have used their culture to gain global recognition and relevance, boosting their economies. For example, BTS brings an estimated $5 billion to the South Korean economy every year. This would not be possible without their global reach.

“Idols are not just performers, but also influencers and cultural ambassadors.”

The V&A museum is holding an exhibition called Hallyu! The Korean Wave, celebrating pop culture from South Korea. The exhibition includes film, television, K-pop, K-beauty, and fashion. The existence of the exhibition is evidence enough of South Korea’s influence in the West, bringing up interesting points on the soft power South Korea gains through this popularity.

The ‘Gangnam Style’ music video by Psy has reached 4.5 billion views on YouTube. Photo by Molly Wilson

The K-pop section of the exhibition displays music videos and costumes worn by K-pop groups. K-pop group members, known as “idols,” are not just performers, but also influencers and cultural ambassadors. In recent years, K-pop has lead to opportunities such as girl groups, Blackpink and aespa, performing at music festival, Coachella, in 2019 and 2022 respectively.

Costumes worn by aespa in their ‘Next Level’ music video, which has 251 million views. Photo by Molly Wilson

The exhibition mentions that K-pop idols’ reach “extends from in-flight safety videos to meetings with world leaders, all while exemplarily dressed.” In May of 2022, BTS visited the White House to meet with President Joe Biden for a press conference on standing against anti-Asian hate crimes. Using idols to exemplify South Korean culture strengthens South Korea’s appearance on the world stage, as they are more desirable to a younger audience than listening to a world leader.

In addition to South Korea’s soaring appreciation, Japan has also had cultural relevance in the West since the 90s. Successful video game franchises such as Pokemon, Mario Bros, and Tetris have become wildly popular globally, along with anime series such as Attack On Titan, My Hero Academia and Death Note, the latter receiving an English, live-action film.

To gain insight into Japan’s cultural influence on the UK, I spoke to gyaru fashion blogger, Lizzie Bee. Gyaru, literally translating to ‘gal’, is a Japanese fashion subculture originating from 90s Shibuya, recognisable for tanned skin, dramatic eye makeup, highly decorated nails and phone cases, and bleached hair.

“The UK gyaru community has grown tremendously since lockdown.”

Lizzie Bee is British and dresses in gyaru style every day. Lizzie explained, “gyaru, for me, is a huge confidence boost. I also love the way gyaru carry themselves; even if they wear clothes that are similar to those in the West, there’s just something about them that makes it different.” Although, Lizzie did mention that wearing gyaru fashion in public isn’t always positive. “If I’m doing a substyle like agejo, I would receive more negative attention.” Agejo is a more glamorous and sexy style of gyaru.

Lizzie also spoke to me about the UK gyaru community. She said “the UK gyaru community is ever-changing. Years went by when there were a maximum of 5 of us, but it has grown tremendously since lockdown.” Lizzie thinks the reason why lockdown made the gyaru community grow so much is “because we weren’t allowed to go out, so that gave people the freedom to experiment without worrying about public opinion.”

The Internet is a major factor in how media from all over the world gets shared. This would explain a rise in popularity of Japanese and South Korean pop culture during lockdown, as thanks to Netflix, YouTube, and communities on social media such as TikTok and Twitter, subcultures like gyaru find a Western audience.

“In 2019, Japan made $49.21 billion from tourism.”

Lizzie also said East Asian culture could have such a big fan base in the West because “East Asian culture is just so different from Western culture. Japanese street fashion in particular is so inspiring in the way that they’re not afraid to express themselves.”

Engaging with another country’s pop culture is a form of escapism, and as Japanese culture can often be very different to Western, people romanticise a different way of life. This fascination with the unknown is what appeals to us as foreigners, and benefits Japan as a country as we buy into it. In 2019, Japan made $49.21 billion from tourism, as fans of Japanese culture travel to popular destinations like Tokyo, Kyoto, Osaka and Hokkaido.

South Korea and Japan continue to appear in the media today. ‘Parasite‘, directed by Bong Joon Ho, swept the Oscars in 2020, winning not only Best International Feature Film but Best Picture. The Royal Shakespeare Company have adapted Studio Ghibli film, ‘My Neighbour Totoro‘, at the Barbican Centre. East Asian visibility through the soft power of South Korea and Japan contribute to celebrating different Asian cultures and their economies.

Feature photo by Molly Wilson

Charity shop Chic: Our new relationship with fashion

“I used to buy clothes very often but just don’t have the excess money anymore.”

The cost-of-living crisis is affecting all of us. Energy prices are reaching new heights, food is expensive and we have to be frugal to make ends meet. We are buying less, which extends to fashion. Our relationship with fashion is changing, and the fashion industry is taking a hit. Furthermore, style trends are changing to reflect the new attitude about buying clothes.

Online fast fashion retailer, Boohoo, reported a 10% fall in revenue in the half-year to August 31st 2022. The company’s market value has fallen 87% this year, and many other retailers are reporting the same. Consumers cannot keep up with inflating prices, causing companies to lose profits.

“More recently I find myself only buying from charity shops.”

Photo by Artificial Photography on Unsplash

This is known as stagflation, a portmanteau of “stagnation” and “inflation”. Santander describes it as “a combination of high inflation and economic stagnation. Inflation drives prices up but purchasing power is down.”

Young people, who have a lot of spending power when it comes to high street fashion retailers, are some of the people affected most by the economic crisis. I spoke to some young adults about their relationship with buying fashion and whether they’ve been drawn to different fashion trends as a result of the cost-of-living crisis.

Evie, 20, told me “more recently I find myself only buying from charity shops.”

“I think the styles I’m into right now reflect the change, dark wash jeans and knit jumpers.”

Juliette, also 20, felt the same, saying “I’m not shopping as much as I used to, now I only shop for groceries and uni supplies as I’m worried how much my electricity bills will be in the winter.” Those who would be consumers of high street fashion, buying into current trends, have opted out of the trend cycle in favour of the most affordable option.

“I’ve been really surprised at how much it’s affected me,” said Lucie, 21. “I used to buy clothes very often but just don’t have the excess money any more. My ‘shopping treats’ now are almost completely charity shop items.”

Lucie said her style has changed too. “I think the styles I’m into right now sort of reflect the change, dark wash jeans and knit jumpers.”

Dark colours and knitwear, while always trendy in the winter months, may reflect the way we feel about the cost-of-living crisis. Most of us will be layering up to fight the cold that we can’t afford to stave off and we feel pessimistic about the future which reflects through dark colours.

Photo by Molly Wilson

To get the ‘Charity shop Chic’ look, ransack your local Oxfam for thick knitwear and winter coats in appropriately depressing, dark colours.

The public’s lack of disposable income will change the fashion industry’s marketing strategy, as it’ll take much more for us to part with our money. A focus on sustainable, second-hand fashion can already be seen through eBay’s partnership with Love Island this summer, a departure from their usual partnerships with fast fashion brands.

Feature photo by Fernande De Canne on Unsplash